Fall ~ Winter 2025/26 Season

***Cast Call***

Agatha Christie’s And Then There Were None

Directed by Emily Vaeth

Assistant directed by Rosie Collette

Auditions: October 25th 10am - 4pm

                  October 26th 9am – 12pm

Performance Dates: January 30th, 31st, February 5th, 6th and 7th at 8pm ~ February 1 at 3pm

 

Agatha Christie’s most famous and chilling murder mystery, And Then There Were None gathers ten strangers on a remote island estate. Each guest harbors a guilty secret. As they are accused of crimes and picked off one by one, paranoia, suspicion, and fear mount until no one is safe.

This is a tense ensemble piece that blends psychological thriller, period drama, and mystery. Characters must be distinct, memorable, and fully realized, as the drama hinges on the shifting suspicions among them.

 

Prepare: Cold readings from the script will be provided.

Accents: The production will use British accents unless otherwise noted. 

Bring: Headshot and resume (if available), rehearsal conflicts.

 

Character Breakdown

 

Judge Lawrence Wargrave (Male, 60s–70s)

A retired judge with a commanding presence and keen intellect. Appears calm, logical, and authoritative, but harbors a chilling ruthlessness beneath his collected exterior. His precise speech and cool demeanor mask a deeply twisted sense of justice.

 

Vera Claythorne (Female, Late 20s–30s)

A former governess now working as a secretary. Intelligent, resourceful, and seemingly poised, though she is haunted by a past tragedy. As the play progresses, her facade of composure unravels into desperation, hysteria, and catatonia. 

 

Philip Lombard (Male, 30s–40s)

A soldier of fortune, ex-military, confident, charming, and somewhat reckless. His humor and charisma conceal a callous survival instinct. Lombard thrives under pressure but has a cold pragmatism that makes him both appealing and dangerous.

 

Dr. Edward Armstrong (Male, 40s–60s)

A successful, slightly pompous doctor with a history of overwork and alcoholism. Nervous energy and eagerness to please are mixed with insecurity. He is well-educated and respected, but his weakness of character and dependence on others erodes his credibility.

 

William Blore (Male, 40s–50s)

A former police inspector turned private investigator. Solid, practical, and blunt, often suspicious of others. His working-class manner contrasts with the upper-crust guests. He is direct and hearty but not particularly imaginative. Comic potential early on, but must transition to desperation later.

 

Emily Brent (Female, 50s–70s)

An elderly spinster with rigid moral views. Stern, self-righteous, and pious, she is convinced of her own righteousness while showing little compassion for others. Her strict religious convictions make her both intimidating and alienating. Requires strong presence and excellent timing.

 

General John MacKenzie (Male, 60s–70s)

A retired World War I officer, dignified but weary. Haunted by memories and guilt, he increasingly retreats into melancholy reflection. His soldierly bearing slips into resignation and acceptance as the murders unfold. A tragic, sympathetic figure.

 

Anthony “Tony” Marston (Male, 20s–30s)

A wealthy, handsome, carefree playboy. Arrogant, reckless, and entitled, with a love of fast cars and strong drink. His youth and vitality stand in sharp contrast to his chilling indifference to human life. A flamboyant, bold role with energy and bravado.

 

Ethel Rogers (Female, 20s–40s)

The cook. A nervous, subservient woman, often bullied by her husband. Fragile, timid, and anxious, she embodies fear from her very first entrance. 

 

Thomas Rogers (Male, 30s–50s)

The butler. A competent and deferential servant, outwardly proper but strained beneath the surface. Dutiful and reserved, though tightly wound with repressed guilt. His relationship with his wife provides strong opportunities for layered performance.

 

Ensemble Notes

This is a true ensemble play. Every character has significant stage time and importance.

Actors must be comfortable sustaining tension, suspicion, physicality and psychological complexity.

 

For questions, feel free to email Stage Manager thaddeuscarmine@yahoo.com

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